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      <image:title>The Etchings Festival - John Aylward</image:title>
      <image:caption>John Aylward has been described by the Boston Globe as "A composer of wide intellectual curiosity", who summons "textures of efficient richness, delicate and deep all at once." His music is intertwined with both modern and ancient literary traditions, from Plato to Thomas Mann, and is also deeply effected by time spent in the deserts of Arizona and New Mexico. These streams of influence have led to a music that considers ancestral concepts of time, appropriations of indigenous cultures into surrealism, impressionism and post-modernism, and the connections between Ancient, native and modern mythologies. Aylward's work has been performed internationally by a range of ensembles and soloists. Both as a pianist and as a director of the Etchings Festival of Contemporary Music, Aylward has supported new music of all kinds through commissions and performances. Awards and fellowships include those from the Guggenheim Foundation, the American Academy of Arts and Letters, the Radcliffe Institute at Harvard University, the Koussevitzky Commission from the Library of Congress, the Fromm Music Foundation, the Fulbright Foundation (Germany), the DAAD (residency in Berlin) the MacDowell Colony, Tanglewood, the Aspen Music School, the Atlantic Center for the Arts, the Virginia Center for the Creative Arts, the International Society for Contemporary Music, and many others. John holds composition degrees (MFA, PhD) from Brandeis University and a degree in piano performance (BM) from the University of Arizona. Currently, John lives in Cambridge, Massachusetts, and teaches music composition at Clark University.</image:caption>
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      <image:title>The Etchings Festival - Colin Gee</image:title>
      <image:caption>Colin Gee is the Etchings Festival Movement and Dance Director. Trained as an actor at the Jacques Lecoq School and the Dell’Arte School of Physical Theater, he received a Rome Prize (2011, Design), was the founding Whitney Live Artist-in-Residence at the Whitney Museum of American Art, the 2009 Visiting Artist-in-Residence at the Cathedral Church of St John the Divine, and a clown for the Cirque du Soleil touring production “Dralion” (2001–2004). Colin has frequently collaborated on musical works with the composer Erin Gee (his sister), providing the libretto for her opera, “SLEEP” (2009, Zürich Opera House), “Mouthpiece XIII, Mathilde of Loci, Part I” (2009, American Composer's Orchestra, Carnegie Hall), “Mouthpiece XX” (2014, Vienna Konzerthaus, with the Vienna Radio Symphony Orchestra), and “Mouthpiece VI+I” (2014, Chicago, with Fonema Consort). His recent dance works include “Lenore” (2016), “They Go Out in Joy” (2016), and “Chaplet of Roses” (2015), all created with dancer/choreographer Angie Smalis. Colin's video works include “Portrait and Landscape” (2006–2012) at DTW and the Whitney Museum (ARTPORT and Whitney Live); “Nested” (2009), commissioned by San Francisco Museum of Modern Art; “History Plays” (2010–1014), presented by Whitney Live; “In the first place…” (2012), an EMPAC Dance Movies Commission; “I, who am the chorus” (2012), presented by FuturePerfect; and “I felt I’d been here before” (2010), commissioned and presented by Belfast Exposed Photographic Archive. His performance work was included in the 2010 Whitney Biennial, and “Objective Suspense” (2008), an object-theater work, was commissioned by the Whitney Museum as part of the exhibition “Alexander Calder: the Paris Years.” The film/performance work “Across The Road” (2009) premiered at The Chocolate Factory, and “Dakota” (2005) premiered at PS122, and received the Dublin Fringe Festival Best Male Performer award. He has conducted workshops at Columbia University, Tufts University, Wellesley College, London International School of Performing Arts, the University of Iowa, North Carolina School of the Arts, University of California San Diego, Televisa Studios in Mexico City, and University of Arts and Communication in Santiago de Chile, among others.</image:caption>
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      <image:title>The Etchings Festival - Erin Gee</image:title>
      <image:caption>Erin Gee teaches composition at Brandeis University. She has been awarded the Charles Ives Fellowship from the American Academy of Arts and Letters, a Bogliasco Fellowship, a Guggenheim Fellowship, a Radcliffe Fellowship, the 2008 Rome Prize, the Charles Ives Fellowship from the American Academy of Arts and Letters, Zürich Opera House’s Teatro Minimo, and the Picasso-Mirò Medal, among others. Gee's series Mouthpieces uses non-traditional vocal techniques, devoid of semantic language, to construct intricate and subtle patterns of a diverse array of vocal sounds. In the Mouthpieces, the voice is used as an instrument of sound production rather than as a vehicle of identity. Linguistic meaning is not the voice’s goal. The construction of the vocal text is often based on linguistic structure—vowel-consonant formation and the principle of the allophone—and is relatively quiet, with a high percentage of breath. The Mouthpieces began as solo vocal works, devoid of semantic text or language and notated with the International Phonetic Alphabet. In the Mouthpiece series, the voice is used as an instrument of sound production rather than as a vehicle of identity. Gee's works are taught in the composition and musicology programs of many leading universities such as MIT, University of Pennsylvania, Smith College, and Mills College, and she has lectured at Harvard, UC Berkeley, Dartmouth and Wellesley. Her debut portrait CD, Mouthpieces was released in January 2014 on the col legno label in Vienna and received a warm and thoughtful review in Gramophone, the premier review magazine for classical music. The review stated, “Erin Gee clearly has a contribution to make,” and mentioned the “tangible virtuosity of Gee’s formidable vocal execution, as well as the comparable (if relatively more orthodox) finesse of the instrumental component.”</image:caption>
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      <image:title>The Etchings Festival - Philippe Hurel</image:title>
      <image:caption>Philippe Hurel is widely regarded as one of the great French composers of his generation. His honors include the Pensionnaire à la Villa Médicis à Rome (1986-88), the Förderpreis der Siemens-Stiftung in Munich 1995, the Prix des Compositeurs from SACEM (2002), and the Prix de la Meilleure Création de l'Année from SACEM 2003. Mr. Hurel worked as a music researcher at IRCAM in 1985-86 and 1988-89. He taught composition at IRCAM from 1997-2001. He also served as composer-in-residence to both the Arsenal de Metz and the Philharmonie de Lorraine from 2000-02. With Pierre André Valade he founded the new music ensemble Court-circuit in 1990 and has since served as its artistic director. Since 2013 he teaches composition at the Conservatoire national superieur de musique et de danse de Lyon. Mr. Hurel's music has been performed by numerous orchestras and ensembles and by conductors such as by Pierre Boulez, David Robertson, Ludovic Morlot, Tito Ceccherini, Jonathan Nott, Esa Pekka Salonen, Kent Nagano, Pierre-André Valade, François Xavier Roth, Christian Eggen, Lorraine Vaillancourt, Reinbert de Leeuw, Bernard Kontarsky and many others. Editions Billaudot publishes his music written between 1981-96 and Éditions Lemoine publishes his music written since 1997.</image:caption>
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      <image:title>The Etchings Festival - Martin Brody</image:title>
      <image:caption>Primarily a composer of concert and theatrical chamber music, Martin Brody has also written extensively for film and television. He has received various awards and commissions, among them the Academy-Institute Award from the American Academy of Arts and Letters, three fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, and commissions from the Fromm Foundation at Harvard, the MacArthur Foundation's Regional Touring Program, the Artists Foundation, and the Massachusetts Arts and Humanities Council. In the fall of 2001, he was Fromm Composer-in-Residence at the American Academy in Rome. Brody is president of the Stefan Wolpe Society and has also served as a Director of the League of Composers-ISCM, the Composers Conference, and Boston Musica Viva. In 1987 he collaborated with the ethnomusicologist Ted Levin to initiate a US-USSR composers exchange sponsored by the International Research and Exchanges Board, the first such exchange to occur in 25 years. He has written extensively on contemporary music and serves on the editorial board of Perspectives of New Music. He is Catherine Mills Davis Professor of Music at Wellesley College.</image:caption>
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      <image:title>The Etchings Festival - Apply</image:title>
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      <image:title>The Etchings Festival - About Etchings:</image:title>
      <image:caption>Etchings is the premiere contemporary classical music festival of France’s Midi-Pyrenees region. Hosted in the historic village of Auvillar and at the crossroads of the famous Compostella trail, The Etchings Festival is a one-of-a-kind meeting place for contemporary artists, musicians, composers and performing artists. Fellows across disciplines work with some of the great master artists in their fields, developing their craft and collaborating with others. The festival culminates in three exhibition evenings hosted throughout the village.</image:caption>
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      <image:title>The Etchings Festival - Day 3. July 5th.</image:title>
      <image:caption>9am. Guided Yoga and Meditation. 11am. Coffee and Talk: Festival Guest Artist:      Martin Brody on Contemporary Classical Music. 12pm - 4pm. Regional Vineyard Tour. 8pm. Festival Concert &amp; Reception.</image:caption>
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      <image:title>The Etchings Festival - The Etchings Experience Package</image:title>
      <image:caption>In celebration of the 2018 Etchings festival this summer, we are offering an exclusive experience package for Patrons. Explore some of France’s most indelible places and personalities alongside the region's premiere contemporary classical music festival. Join our summer festivities as a Patron and attend festival concerts, lectures and masterclasses, meet the Festival Fellows you are supporting, access behind-the-scenes rehearsals, and enjoy a full program of regional tours, visits to Auvillar’s secluded sites, guided yoga and meditation, farm-to-table dining, and communal gatherings and soirees with the festival's fellows and guests.</image:caption>
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      <image:title>The Etchings Festival - Day 1. July 3rd</image:title>
      <image:caption>Morning Arrival to Blagnac Airport in Toulouse. Etchings Staff welcome and shuttle to Auvillar. Hotel Check-in. 4pm. Welcome Cocktails and Orientation. 7pm. Festival Welcome Dinner at one of the region's      finest restaurants.  </image:caption>
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      <image:title>The Etchings Festival - Day 2. July 4th</image:title>
      <image:caption>9am. Guided yoga and meditation on the bank of the      Garonne River. 11am. Local tour of Auvillar's art and architecture. 12pm. Lunch at the Etchings Festival with Fellows and      Directors. 2pm. Experience the Chapelle St. Catherine, where      Festival Concerts take place. Etchings Music Director      Jean-Philippe Wurtz presents on the music of the      festival.  4pm. Reception for Patrons and Fellows with a      pre-concert farm-to-table dinner in the Village. 8pm. Gallery Concert.</image:caption>
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      <image:title>The Etchings Festival - Day 4. July 6th.</image:title>
      <image:caption>10am. Excursion to Moissac to visit the narrative      cloisters of Abbey St. Pierre. 12pm Lunch. 2pm. Guest Artist Talk: Colin Gee and The Art of      Staging. 4pm. French Cuisine Lecture and Tasting with Guest      Artist Apollonia Poilâne. 8pm. Festival Concert &amp; Reception.</image:caption>
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      <image:title>The Etchings Festival - About Auvillar:</image:title>
      <image:caption>Perched on a rocky cliff, nestled between historic crossroads of Gaulic and Roman-Aquitainian cultures, near the Garonne, northwest of Toulouse and east of the St. Emilion region of Bordeaux, is Auvillar. A historic landmark at the crossroads of the Santiago de Compostela, Europe’s most famous pilgrimage route, Auvillar has had it’s share of invaders and conquerers over the centuries, from the crusaders to the Count of Armagnac to the Kings of Navarre. In the Twelfth Century, the city became the capital and property of the Count of Armagnac. The village became part of France under Henri IV. The region is now known for its viticulture, its hundreds of churches, monasteries and gites, and its proximity to the prehistoric caves of the Vézère valley.</image:caption>
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      <image:title>The Etchings Festival - Etchings 2020 Hudson Valley</image:title>
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      <image:caption>Etchings Composers’ Rehearsals, 2019</image:caption>
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      <image:caption>Etchings 2010. From Left: Dominique, Maria Wildhaber, John Aylward, Fabien Levy</image:caption>
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      <image:caption>Etchings 2012: Philippe Hurel, Dominique, Annick and Jacque Sarraut, Mary Joy Patchett, John Aylward and George Tsontakis</image:caption>
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      <image:caption>Philippe, John and Dominique</image:caption>
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      <image:caption>Top row: Donald Berman, Mattia Maurée, Luiz Castelões. Middle row: Clifton Joey Guidry III, Yvette Janine Jackson, Yazier Henry Bottom row: Ayodele Casel, Ashleigh Gordon, Mike Truesdell</image:caption>
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      <image:caption>All Composer Fellows participate in lessons and masterclasses with all faculty. Our Performance Fellows are commissioned to write one piece to be premiered at the festival. Our Workshop Fellows have readings of their work by faculty performers. All readings and performances are professionally recorded for all fellows.</image:caption>
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      <image:caption>The Fellows who study at Etchings come from around the world, traveling from the US, from all parts of Europe, and have come as far as Singapore, Argentina, Brazil, Turkey, and Japan. Mentorship by some of the world's best composers affords a special intimacy and consideration for each composer. Fellows know they will receive expert performances as well as lasting bonds and collaborations built from the special festival atmosphere. Etchings Festival recordings find their way into graduate school applications, job applications and tenure portfolios.</image:caption>
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      <image:caption>Daily lessons, private coachings and participation in Masterclasses. The opportunity to collaborate choreographically on a concert premiere with musicians and composer fellows from the Music Program. Professional audio / video documentation of your work.  The opportunity to create site-specific work in the extraordinary village of Auvillar. Recommendation for fellowship residency at the USA campus of the VCCA (the festival's organizational partner). Housing, all breakfasts, lunches and some dinners, and pick up and drop off from Gare de Valence d'Agen. Total Festival Participant Fees (all inclusive) $1600.</image:caption>
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      <image:title>Etchings 2018 Dance Program</image:title>
      <image:caption>Classes focus on the relationship between movement and persona. They are generally divided into warm-up / technique, movement and context, and  broader discussions of phrasing and narration. Colin Gee's mentoring is inspired by the work of Jacques Lecoq and Etienne Decroux. Colin has adapted aspects of their work in mask and movement-theatre styles into dance performance forms. The classes are in a progressive series share and a core practice.</image:caption>
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      <image:title>Etchings 2018 Dance Program - Movement Program</image:title>
      <image:caption>The daily morning classes with Colin Gee in Movement Technique, Analysis of Movement, and Improvisation / Creation of Material form the foundations of the Festival. Afternoons are spent developing more personalized work and collaborating with live performances by ensemble Ecce. The Festival culminates in opportunities for Movement Fellows to perform their choreographed works.</image:caption>
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      <image:title>Etchings 2018 Dance Program</image:title>
      <image:caption>Evening gatherings will be a time for fellows to meet, share insights, and be inspired by the ancient village of Auvillar. Colin Gee, Movement Program Director, trained at Ecole Jacques Lecoq and Dell Arte School of Physical Theater. He toured widely with Cirque du Soleil, and has worked internationally making movement-based work - dance and devised theater - since 1997. More on Director Colin Gee</image:caption>
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      <image:title>Etchings 2018 Dance Program</image:title>
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      <image:title>VCCA | Auvillar</image:title>
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      <image:title>Etchings - Mission and History Programs Apply  </image:title>
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      <image:title>Mission and History - Mission and History</image:title>
      <image:caption>Our Artistic Director, composer John Aylward, began the Etchings Festival in 2009, with the help of trusted collaborators at the Virginia Center for Creative Arts. John's desire to create a positive environment for emerging composers where they would develop their craft through frank, creative interactions with peers and mentors met the VCCA's wish to have an international program that would further their arts advocacy mission.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5977dee2db29d664b6fe1dc1/1508820855067-FYE1CWZEEPMER112XRQ4/etchings-7+2.jpg</image:loc>
      <image:title>Mission and History</image:title>
      <image:caption>The opportunity to cultivate your art in a community of other passionate artists is becoming increasingly rare. To be influenced by fellow creatives while being mentored by some of the great composers of our time and the best interpreters of modern music: that’s what the Etchings Festival provides. Now, we are in our 10th year, and we've added a movement and dance program. We continue to grow and we're proud of the talent we’ve cultivated, the incredible amount of music we’ve premiered and the good will we have brought into the world.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5977dee2db29d664b6fe1dc1/1508820978279-DT1N069AQEZ5C0LT1SRD/auvillar-sunset-ii.jpg</image:loc>
      <image:title>Mission and History</image:title>
      <image:caption>The Etchings Festival is set in Auvillar, France, between Bordeaux and Toulouse. The Midi-Pyrenees region is secluded and has been preserved through the centuries. Concerts at the festival take place in a 14th Century chapel, renovated and acoustically sublime. The village of Auvillar is deeply invested in the arts, and audiences come from across the region to attend festival concerts. Auvillar is on the Santiago de Compostela pilgrimage route and so often traveling pilgrims will attend festival events.</image:caption>
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      <image:title>Mission and History</image:title>
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    <lastmod>2018-12-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5977dee2db29d664b6fe1dc1/1544233465228-DA500CD65OIDT1S5VZ8S/John+Headshot.png</image:loc>
      <image:title>2019 Composer Faculty - John Aylward</image:title>
      <image:caption>John Aylward's music has been widely recognized as some of the most creative, engaging and inventive of his generation. The Boston Globe has described Aylward as a composer of "wide intellectual curiosity" who "summon(s) textures of efficient richness, delicate and deep all at once". And among his American Academy of Award citations, he is recognized for "harmonies that always move, always inflect" and " zones of suspended motion and otherworldly calm". A pianist first, Aylward infuses his compositions with a technical virtuosity taken from the keyboard, and his music demands a kind of attention to detail that rewards in its subtleties and possibilities for expression and interpretation, connecting his work to the a wide expanse of traditions. Born in the Southwest US, his work often takes on the concerns related to that landscape and culture: ancestral concepts of time, appropriations of indigenous cultures into surrealism and impressionism, and the connections between native traditions and Greek and Roman mythology. As Director of the Ecce Ensemble, Aylward has performed and produced hundreds of premieres and performances of modern works from all aesthetic corners. Ecce has also functioned as a kind of laboratory in which Aylward has been able to explore larger and more expansive work through rigorous rehearsals, workshops and the confidence of performers he has collaborated with over many years. Recent awards and fellowships include those from the John S. Guggenheim Foundation, the American Academy of Arts and Letters (the Walter Hinrichsen Award and the Goddard Lieberson Fellowship, the Radcliffe Institute at Harvard University, the Koussevitzky Commission from the Library of Congress, The Fromm Foundation at Harvard, and from the Fulbright Foundation (Berlin). John lives in Cambridge, Massachusetts and teaches music composition at Clark University.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5977dee2db29d664b6fe1dc1/1544233332872-FXKY997UK0AMZWUSUD0R/KAB150521420.jpg</image:loc>
      <image:title>2019 Composer Faculty - Francesco Filidei</image:title>
      <image:caption>Born in Pisa in 1973, Francesco Filidei graduated from the Conservatory of Florence and the Paris Conservatoire winning several first prizes. As organist and composer, he has been invited by the most important festivals of contemporary music, perfomed by orchestras such as the WDR, the SWR, the RSO Wien, ORT, RAI, the Tokyo Philharmonic and the Bavarian Radio, La Verdi, and by ensembles such as Linea, L’Itinéraire, EOC, Intercontemporain, Les Percussions de Strasbourg, Klangforum,  Musikfabrik, Recherche, London Synfonietta, Tokyo Synfonietta,  Ictus, Neue Vocalsolisten, at the Berliner and Paris Philharmone , the Suntory Hall and Tokyo Opera, the Theaterhaus Vienna, the Munich Herkulessaal, the Zurich Tonhalle among many others. After obtaining a commission from the IRCAM Reading Committee in 2005, he was awarded the Salzburg Music Forderpreistrager (2006), the Takefu Prize (2007), the Siemens Forderpreistrager (2009), the UNESCO Picasso / Miró Medal of the Rostrum of Composers (2011), the Abbiati Prize (2015), the Charles Crow Academy award (2016). He was composer-in-residence at the Schloss Solitude Academy in 2005, member of the Casa de Velázquez in 2006 and 2007, resident at the Villa Medici in 2012-13, fellow of the DAAD Berlin and composer-in-residence at 2e2m in 2015. He has taught composition at Royaumont (“Voix Nouvelles”), the University of Iowa, Takefu, the International Young Composers Academy in Tchaikovsky City, and at Darmstadter Ferienkurse. He has been appointed Chevalier des Arts et des Lettres by the French Ministry of Culture and he is currently Musical Advisor of the Fondation I Teatri of Reggio Emilia. After his first Opera on Giordano Bruno, performed in Paris, Porto, Strasburg Caen, Milano, is working on a new Opera for the Opera Comique in Paris on a Novel by Zamiatine. His works are published by Ricordi from 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5977dee2db29d664b6fe1dc1/1544235087906-HIPH45OF2X3M96IUSV9B/brodymartin-square.jpg</image:loc>
      <image:title>2019 Composer Faculty - Martin Brody</image:title>
      <image:caption>Primarily a composer of concert and theatrical chamber music, Martin Brody has also written extensively for film and television. He has received various awards and commissions, among them the Academy-Institute Award from the American Academy of Arts and Letters, three fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, and commissions from the Fromm Foundation at Harvard, the MacArthur Foundation's Regional Touring Program, the Artists Foundation, and the Massachusetts Arts and Humanities Council. In the fall of 2001, he was Fromm Composer-in-Residence at the American Academy in Rome. Brody is president of the Stefan Wolpe Society and has also served as a Director of the League of Composers-ISCM, the Composers Conference, and Boston Musica Viva. In 1987 he collaborated with the ethnomusicologist Ted Levin to initiate a US-USSR composers exchange sponsored by the International Research and Exchanges Board, the first such exchange to occur in 25 years. He has written extensively on contemporary music and serves on the editorial board of Perspectives of New Music. He is Catherine Mills Davis Professor of Music at Wellesley College.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5977dee2db29d664b6fe1dc1/1544233107191-ET7VJ6VZFAKBSJ69VZGR/C85oc7Ae98VktrxabfLwxuGD.jpeg</image:loc>
      <image:title>2019 Composer Faculty - Kaija Saariaho</image:title>
      <image:caption>Kaija Saariaho is a prominent member of a group of Finnish artists who are making a worldwide impact. She studied in Helsinki, Fribourg and Paris At IRCAM, Saariaho developed techniques of computer-assisted composition and acquired fluency in working on tape and with live electronics. This experience influenced her approach to writing for orchestra, with its emphasis on the shaping of dense masses of sound in slow transformations. Significantly, her first orchestral piece, Verblendungen (1984), involves a gradual exchange of roles and character between orchestra and tape. And even the titles of her, linked, pair of orchestral works, Du Cristal (1989) and …à la Fumée (1990) suggest her preoccupation with colour and texture. Although much of her catalogue comprises chamber works, she has turned increasingly to larger forces and broader structures, such as Orion (2004), Laterna Magica (2008), Circle Map (2008). The detailed notation using harmonics, microtonaly and detailed continuum of sound extending from pure tone to unpitched noise – all features found in one of her most frequently performed works, Graal Théâtre for violin and orchestra (1994). Her catalogue also includes Aile du songe (2001), Notes on Light (2006), D’OM LE VRAI SENS (2010), Maan Varjot (2014). In 2015, Gerald Finley and Los Angeles Philharmonic Orchestra, conducted by Gustavo Dudamel, premier True Fire for baritone and orchestra. From later nineties, Saariaho has turned to opera, with outstanding success: L’Amour de Loin (2000), Adrian Mater (2006), Emilie (2010) and the oratorio La Passion de Simone (2006). Her opera Only the Sound Remains was premiered in March 2016 at The Dutch National Opera. Other performances will follow in Paris, Helsinki, Madrid and Toronto. Saariaho has claimed the major composing awards: Grawemeyer Award, Wihuri Prize, Nemmers Prize, Sonning Prize, Polar Music Prize. In 2015 she was the judge of the Toru Takemitsu Composition Award. Kaija Saariaho’s harp concerto Trans was premiered in August 2016 by Xavier de Maistre and The Tokyo Symphony Orchestra, conducted by Ernest Martinez-Izquierdo at the Suntory Hall, Tokyo.</image:caption>
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      <image:title>2019 Composer Faculty</image:title>
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      <image:caption>John Aylward, Artistic Director</image:caption>
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      <image:caption>Jean-Philippe Wurtz, Conductor Musical Director, Etchings Festival</image:caption>
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      <image:caption>Artist | Director, Laine Rettmer</image:caption>
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      <image:title>2020 Experimental Opera Program</image:title>
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      <image:caption>Laine Rettmer, Artist | Director</image:caption>
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